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Run as firm wa re (Li nux ba sed) from flash stick me mo ryĪSIO, DoP, DSD over DLNA, DSD to PCM, PCM to DSD To get exact information, contact the software developers and/or vendors.ĭSD player audio software list Au dio play erĭAC li mi ta ti on for the soft ware ac ti va ti on If you found wrong information, contact us, please. We are not affiliated with listed products.

In comparison, CD measures around 96dB, and 24-bit/192kHz recordings have a theoretical maximum of around 144dB.Īlthough the bigger numbers are more impressive, even the range of CD is considered more than enough to cope with any recording.WARNING: This page can contain errors. In terms of dynamic range, DSD is claimed to be around 120dB in the audible frequency range. So how high resolution is a DSD recording? There’s no exact way of striking equivalence between PCM and DSD but it’s around the same as 24-bit/88.2kHz PCM. The high-frequency noise is generally filtered out. Clever processing techniques allow the engineers to shift the noise above our hearing, and optimise the performance and dynamic range in the audible region. When it comes to measurement, DSD also has issues with high levels of noise compared with PCM. While the name (intentionally or not) sounds like DSD, it is simply very high-resolution PCM. This is where the original DSD signal has been converted to 24-bit/352kHz PCM and processed in that form throughout. You may come across the term DXD on a recording. It’s down to a lack of suitable equipment and processing software. That’s hardly a pure way of doing things, right? Just about every studio recording made with DSD goes through this process.

It’s not very practical to manipulate a DSD recording.Īll the things that are required post-recording such as equalisation, editing, dynamic range control and adding reverb usually involve the DSD stream being converted to PCM to do the processing and then switched back. That all looks good, but there are also issues with DSD.
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While that looks like an arbitrarily large number, it’s chosen quite carefully to ensure that the full frequency range of human hearing (20Hz to 20kHz) is covered. The measurement is done 44,100 times a second. The original music waveform has to be measured at regular intervals in order for it to be represented properly.
